Illinois Authors

Inspired by true events, a novel that centers on the Meuse-Argonne Offensive of World War I, told in the voices of Cher Ami, a messenger bird, and Charles Whittlesey, an army officer.

Counterpoint, Berkeley, CA : ©2010.

In this collection about life as a twentysomething in the twenty–first century, Kathleen Rooney writes with the finesse of someone well beyond her years, but with fresh insights that reveal a girl still making discoveries at every turn. Varied and original, the tales in For You, For You I Am Trilling These Songs recount the perils of falling in love with the unlikeliest of people, of visiting the New York apartments of a vanished poet, and of touring an animal retirement home with her parents. Of getting a Brazilian wax, and of chauffeuring a U.S. senator around town. Of saying good–bye to a cousin who's joining a convent, and of trying to convince herself that she's not wasting her life. This is a book about love and longing, poetry and plagiarism, death and democracy, mountain floods and Midwestern cicadas. Here is a young woman struggling to find her place as an adult and a citizen in an America that rarely manages to live up to Whitman's dream of it. With this book, Rooney sings—yes, in fact, she trills—loud and clear.

Lake Union Publishing [S.l.] : 2023

Chicago, 1916. Doreen O’Dare is fourteen years old when she hops a Hollywood-bound train with her beloved Irish grandmother. Within a decade, her trademark bob and insouciant charm make her the preeminent movie flapper of the Jazz Age. But her success story masks one of relentless ambition, tragedy, and the secrets of a dangerous marriage.Her professional life in flux, Doreen trades one dream for another. She pours her wealth and creative energy into a singular achievement: the construction of a one-ton miniature Fairy Castle, the likes of which the world has never seen. So begins Doreen’s public tour to lift the nation’s spirits during the Great Depression―and a personal journey worth remembering.A sweeping journey from the dawn of the motion picture era through turbulent twentieth-century America, From Dust to Stardust is a breathtaking novel about one determined woman navigating change, challenging the price of fame, and sharing the gift of real magic.

A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop. “In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…” She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. It was a job that, she says, “in some ways saved my life, and in other ways ruined it.” Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat and Manhattan is grittier now—her son keeps warning her about a subway vigilante on the prowl—but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed—and has not. Lillian figures she might as well take her time. For now, after all, the night is still young.

University of Arkansas Press, Fayetteville : 2008.

Kathleen Rooney is the author of Reading with Oprah: The Book Club that Changed America, as well as the poetry collections Oneiromance (An Epithalamion), Something Really Wonderful, and That Tiny Insane Voluptuousness, the latter two written collaboratively with Elisa Gabbert. Her essay Live Nude Girl was selected for Twentysomething Essays by Twentysomething Writers.

It's late spring of 2008, and one of Illinois' two Democratic senators is poised to become the next president of the United States. Colleen Dugan works for the other one--not on Capitol Hill, but in a Chicago skyscraper that overlooks Lake Michigan, among coworkers with little to do but field calls from angry constituents while the future of the nation gets decided elsewhere. In the coming weeks, Colleen will navigate the perils of costumed protestors, thuggish union reps, vacuous interns, trifling bureaucrats, dirty tricks by the senator's Republican rival, and the unexpected discovery of a scandalous secret that will give her the power to change the course of the election and shape her own fate--though not necessarily for the better. A quarter-life crisis viewed from the ghostly perspective of the Founding Fathers, this is a hilarious and heartbreaking story about American politics and the difficult business of being a good citizen: walking the tricky line between self-sacrifice and self-sabotage, between doing your part and knowing your place.

Switchback Books, Chicago : ©2008.

Poetry. Winner of the 2007 Gatewood Prize, Kathleen Rooney's ONEIROMANCE (AN EPITHALAMION) explores the absurdity and divinity of the marriage ceremony through a dizzying dream sequence with playful verse that skillfully blends call and response with Shakespearean odes, romance and cynicism, story-telling and wordplay. Patty Seyburn proclaims: "These poems contain deep doubt and true sentiment, providing that pleasure-giving union of provocation and renewal." Rooney is a founding editor of Rose Metal Press and the author of Reading with Oprah: The Book Club That Changed America (University of Arkansas, 2005).

University of Arkansas Press, Fayetteville : 2005.

Adored by its fans, deplored by its critics, the Oprah Book Club has been at the center of arguments about cultural authority and literary taste since its inception in 1996. Virtually everyone seems to have an opinion about this monumental institution with its revolutionary and controversial fusion of the literary, the televisual, and the commercial. This is the first in-depth look at the phenomenon that is the OBC.

Gold Wake Press, [Boston, MA] : ©2012.

Poetry. Meet Robinson, the protagonist of Kathleen Rooney's brilliant novel-in-poems ROBINSON ALONE. Conjured up by Weldon Kees and set loose in an urban landscape, Robinson reflects and refracts mid-century American kitsch, optimism, and despair. 'What do you think the post-war world will be like?' he asks, via Rooney's revisions and erasures of Kees' own letters. Lyrical and detailed, precise and ornate, Rooney's genre-bending text showcases an obsession with literary history. At once repulsed by Midwestern provincialism and fearful of urban excess, 'There's still as much of yesterday as there is of tomorrow in all he does today.'?Carol Guess Kathleen Rooney is one of the best writers of her still youthful generation. Whether working in memoir, essay, fiction, or verse, she writes in a style that is strikingly original and immediately recognizable for the high-spirited energy of its surface and an undertow of emotion that is sometimes elegiac. Even when part of the art in this book is that of the ventriloquist, both of these qualities can be found in Rooney's Robinson poems, a sustained work based on her long engagement with the poetry of Weldon Kees. Kees was for a long time a poet's poet for a generation now itself growing old, so it is a fine thing to have his signature character examined and re-animated by a young poet as good as Rooney is.?John Matthias Kathleen Rooney's ROBINSON ALONE is a blood brother to the historical novel. She reminds us that epic stories started with the poem, and she does the tradition proud with her formal flexibility and attention to detail. Her poems 'photograph the obscure, ' uncovering a lost treasure in Weldon Kees, who apparently is alive and well, living between these pages.?A. Van Jordan Weldon Kees is one of the more mysterious figures in American arts. Born in Nebraska in 1914, he followed his polymorphous muse from coast to coast as a musician, librarian, writer, screenwriter, critic, and painter. He is remembered most for his poetry, and for his disappearance. Did he leap to his death from the Golden Gate Bridge in July 1955 or seek a new life in Mexico? In an extraordinary act of identification, poet and essayist Rooney (For You, For You I Am Trilling These Songs (Counterpoint, 2010)) improvises on Kees's most haunting poems, a quartet featuring an alter ego named Robinson. Her loosely biographical, knowledgeably imaginative, and gorgeously atmospheric story in verse portrays Robinson as a dapper, talented, and bedeviled man who conceals his sorrows behind insouciance. Rooney weaves lines from Kees's writings into her bluesy, funny, and scorching lyrics as she follows Robinson from elation to desolation as his wife succumbs to alcoholism and his dreams fade. Rooney's syncopated wordplay, supple musicality, and cinematic descriptions subtly embody Kees's artistic pursuits as well as Robinson's sardonic grace under pressure. An intricate, psychologically luminous homage, tale of American loneliness, and enthralling testament to poetry's resonance.?Donna Seaman, Booklist starred review.

Otoliths, Rockhampton, QLD, Australia : ©2008.

This collaboration between Elisa Gabbert and Kathleen Rooney is ÒJust more entertaining than poems are supposed to be. And I'm not using the word "entertaining" as some kind of sly putdown either. These poems have more human interaction going on in a couple of lines than many writers manage in a couple of books. The linguistic energy and, really, virtuosity, can be stunning. These are poems that know what people are like when they're around people.Ó ÑMark Wallace

Fiction. The house is haunted but nobody's home. Only us chickens, standing still as sculpture while Loulou, the immortal Pomeranian, & Georgette, Magritte's guardian angel, take us on a tour of the asylum. The rooms in Kathleen Rooney's THE LISTENING ROOM are always listening, always watching. The walls have ears. The tears have eyes. Sometimes the screams are silent. Sometimes the silence is deafening. Stark & hard-edged as the paintings themselves, this novel in poems and flashes inhabits a world much like our own--suspended in a glazed animation of doomed hope & hopeful doom, where the virtual is realer than reality, where the muse & the bemused are confused, where the funny is wedded to the sad in unholy matrimony.