Illinois State Library

Illinois Center for the Book

Individual Author Record

General Information

Name:  Perry R. Duis  

Pen Name: None

Genre: Non-Fiction

Audience: Adult; Adult;

Born: 1943 in Sterling, Illinois

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-- Perry R. Duis on WorldCat --

Illinois Connection

Perry Duis is a Professor of History at the University of Illinois in Chicago. He has been with the University of Illinois since 1971.

Biographical and Professional Information

Published Works Expand for more information

Titles At Your Library

The Saloon Public Drinking In Chicago And Boston 1880-1920

University of Illinois Press. 1983

We'Ve Got a Job to Do: Chicagoans and World War II
ISBN: 0913820172

Sewall Co. 1992

We'Ve Got a Job to Do: Chicagoans and World War II

Challenging Chicago: Coping with Everyday Life, 1837-1920

University of Illinois Press. 1998

Chicago Death Trap: The Iroquois Theatre Fire of 1903
ISBN: 080932721X

Southern Illinois University Press. 2006

On the afternoon of December 30, 1903, during a sold-out matinee performance, a fire broke out in Chicago’ s Iroquois Theatre. In the short span of twenty minutes, more than six hundred people were asphyxiated, burned, or trampled to death in a panicked mob’ s failed attempt to escape. In Chicago Death Trap: The Iroquois Theatre Fire of 1903, Nat Brandt provides a detailed chronicle of this horrific event to assess not only the titanic tragedy of the fire itself but also the municipal corruption and greed that kindled the flames beforehand and the political cover-ups hidden in the smoke and ash afterwards.

Advertised as “ absolutely fireproof,” the Iroquois was Chicago’ s most modern playhouse when it opened in the fall of 1903. With the approval of the city’ s building department, theater developers Harry J. Powers and William J. Davis opened the theater prematurely to take full advantage of the holiday crowds, ignoring flagrant safety violations in the process.

The aftermath of the fire proved to be a study in the miscarriage of justice. Despite overwhelming evidence that the building had not been completed, that fire safety laws were ignored, and that management had deliberately sealed off exits during the performance, no one was ever convicted or otherwise held accountable for the enormous loss of life.

Lavishly illustrated and featuring an introduction by Chicago historians Perry R. Duis and Cathlyn Schallhorn, Chicago Death Trap: The Iroquois Theatre Fire of 1903 is rich with vivid details about this horrific disaster, captivatingly presented in human terms without losing sight of the broader historical context.

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